A slow Christmas project from the Friendly Forest

Four brass ornaments hanging on strings: a face, a figure with curly hair wearing a patterned dress, a starfish, and a bird.

In the café days, I used to take a lot of pride in decorating the Christmas tree. It was always done early, carefully timed to meet the unspoken expectations of December marketing and festive photos. This year has been different. The tree went up in the middle of December, quietly, without a plan. And strangely, that feels about right.

This year there is no café to decorate, and no rush to make things look festive by a certain date. Life has been slower, but also fuller. We are still very much in the middle of settling in. Paperwork, house things, admin that never quite ends. The sort of tasks that fill your days without leaving much space for “projects”.

If I am completely honest, most of this was done while the kids were at school, squeezed into small pockets of time between everything else. Not a full afternoon of making, but fragments. And that is exactly how this project came together.

I have wanted to try foil embossing for a long time. It felt like something that would suit the Friendly Forest world. Simple lines, texture, something tactile. The problem was materials. I still have not found my go-to craft shop here and I feel a bit lost in that department. So instead of waiting for the right supplies, I improvised.

A hand holding a card rests on a shiny aluminum tray, with scissors positioned nearby on a textured surface.

The foil came from a supermarket roasting tray. Not glamorous, but it worked, with a bit of help from my trusty dough scraper that usually earns its keep with sourdough.

A hand holding a piece of shiny, metallic foil against a textured surface.

The gold colour came later, via a spray can from the Christmas aisle. I always prefer gold over silver, so that part was inevitable.

A hand holding a spray can over embossed designs on a textured surface, showcasing various shapes and patterns in preparation for gold spray application.

Some experiments worked, others didn’t. The first attempt was done outdoors and left to dry in the outhouse. Moisture turned out to be a definite no for this combination and the gold simply rubbed off.

Crafted foil decorations featuring a textured bird and star shape with gold detailing, set against a brown surface.

Spraying indoors worked much better. The finish still isn’t perfect, but it felt good enough to let it be.

Four handmade craft decorations made from foil, including a figure with curly hair, a bird, a starfish, and a round ornament, all displaying a gold finish.

The templates themselves came from my Friendly Forest characters. Mrs Nettle, the small forest mouse, a bird, a star. I kept them intentionally simple. These are not finished illustrations. They are outlines, meant to be traced, pressed into foil, and then taken somewhere else entirely by whoever is using them. You can add patterns, textures, leaves, lines. Or keep them plain.

Black line drawings of a bird, a forest mouse, a star, and a simple figure with curly hair, intended for tracing and craft use.

It works beautifully as a quiet creative project. Something to do with your hands, away from screens, without needing everything to be perfect. The templates are there to be borrowed, adapted, and taken somewhere else entirely.

And no, this post is not late. This is exactly the time I like making things. Not before Christmas, when everything is about preparation and pressure. But during Christmas. That in-between space. After the roast, before the cheese. When the table is cleared, the day slows down, and there is time to sit and make something without it needing to be productive.

If you feel like trying this yourself, this is how I approached it.

Start by cutting out the template. Place it on your foil and trace around it with whatever you have to hand. I used a pencil. No special tools, no clever setup. If you don’t have embossing tools, don’t let that stop you. A pencil, a skewer, the back of a spoon, even a dough scraper can work surprisingly well. You’ll also need a soft backing underneath. Felt or foam is ideal. I used an incontinence pad I found in the house from the previous owner’s puppy-training days. It worked perfectly.

A person's hand holding a template with an outline of a character on foil, with a pencil nearby.

Once traced, go back over the lines to define them a little more. This is also a lovely time to add details if you feel like it.

A close-up image of a hand tracing a design onto a metallic surface, featuring a figure with curly hair and leaf patterns.

Once you’re done, turn the piece over and decide which side you like best. Sometimes the raised lines feel right, sometimes the reverse does. I preferred the raised lines on Mrs Nettle, but liked the opposite side for the star. There’s no rule here. Once you’ve decided, cut the shape out.

A hand holding a foil embossing template of a figure with curly hair and a dress decorated with leaf designs, next to a pair of scissors on a textured surface.

Finally, make a hole if you’d like to hang it. A hole punch works well, but a sharp tool will do just fine too.

A foil embossed decoration featuring a smiling figure with curly hair and leaves, being held by a hand, with crafting tools in the background.

Finally, add a ribbon, twine, or any yarn you have to hand, and thread it through.

A collection of gold foil embossed ornaments shaped like a girl, a star, and a bird, with twine for hanging, arranged on a textured gray surface.

And that’s it! Hang them on the tree or wherever else you fancy 🙂

A handmade golden ornament resembling a smiling figure with curly hair, hanging on a Christmas tree among green pine branches.

I’m sharing these templates not as a finished answer, but as an invitation. To borrow, adapt, change, and see where it takes you. Nothing here needs to be rushed. Or perfected. Or even finished in one sitting.

A decorated Christmas tree featuring handmade ornaments, including a star, a figure with curly hair, a round ornament with a design, and a bird, all made from gold-colored materials.

Wishing you a gentle Christmas, and plenty of space for making, resting, and doing very little at all.

Rasa x

From Café Walls to Woodland Colours

An artistic pattern featuring orange mushrooms and green ferns intertwined with branches on a blue background.

I didn’t plan any of this (sort of).
All I really wanted after handing over the café was slower living, some breathing space, more time with the kids, doing something creative again, and a bit of life that wasn’t run on coffee orders and timers. Nothing dramatic.

But part of slowing down meant I finally had time to pick up watercolours again. I have always been drawn to nature (I even briefly considered becoming a herbalist at one point), so painting leaves, ferns, mushrooms… all of it felt like slipping back into something I had been missing for years.

A watercolor painting featuring detailed fern leaves in warm, earthy tones, set against a light blue checkered background.

And then, instead of herbalism, I somehow ended up on a surface pattern course, which connected so many things I never realised belonged together. Creativity, nature, quiet routines, colours, food, stories… all the things I naturally gravitate toward.

A watercolor painting of vibrant pink peonies surrounded by green leaves on a textured brown background.

Looking back, I think Friendly Nettle was always meant to become something bigger but also slower. More creative, more hands-on, more about noticing and making. And I just did not have the headspace to realise it back then. Even when I was not at the café, I was still mentally there with messages, staff things, tiny worries, checking in. By the end I barely brought my own kids in. There was simply no room left to imagine anything beyond the daily running of it.

Stepping away has centred me in a way I did not expect. And now that bigger yet slower direction feels much clearer.

A watercolor painting featuring orange flowers and green leaves on a light background.

Do not get me wrong, as mentioned in my previous post, I do not regret one bit opening the café. Meeting so many friendly faces, building a space people loved… I genuinely do not regret things like that. I see it as a huge learning experience. And I have learned so much business-wise that I can now carry into this new Friendly Nettle turn.

And maybe it is fitting that I am writing this on the eve of the café reopening under its new name.
There is something quietly peaceful about watching it take on a new story while mine is gently shifting too. It feels like a clean handover, the café becoming what it needs to be now, and me finally having the space to explore what Friendly Nettle has always been quietly nudging me toward.

A mural featuring the phrase 'Heaven is welcome here' with vibrant flowers and a small bird on a blue background.

I cannot tell you exactly what it is going to be yet, but from where I am standing, it is looking really exciting.

A person wearing a maroon sweater and black pants is standing in front of a blue wall, painting colorful flowers and plants. Various paint cans and tools are arranged at their feet.

And now shall we talk about Moon Shadow?

Back at the café I tested what felt like hundreds of grey paint samples. Nothing looked quite right until I found Moon Shadow. It was not really grey at all, but something softer and warmer, and it immediately stood out. It just felt right for the café walls.

I loved it so much that I ended up using the same colour in our own home. And honestly, I do not think I will ever get tired of it. I keep reaching for it in my work too. The warmth makes reds and pinks look almost alive, and the deeper colours sit quietly against it.

An artistic illustration featuring intertwined branches and leaves in various shades of green, with orange and brown details, set against a light blue background.

Maybe one day I will be sick of it, who knows, but for now it feels like the most natural background for everything I create.

A watercolor illustration of intertwined mushrooms or organic shapes with a warm brown background, showcasing detailed line work and textures.

So why all the woodland themes suddenly?

Once life slowed down, I started noticing things again. Colours, textures, tiny shapes I normally rushed past. And honestly, most of it happened while going for dog walks. When you are not racing anywhere, you suddenly see interesting leaves on the pavement, funny mushrooms on tree stumps, soft moss on old walls. All those small things started creeping into my sketchbook without me even trying.

It was not meant to be a theme or a project. It just happened because for the first time in years, there was actual time and headspace for things to land. We have also been outdoors more in general, so the woodland vibe makes sense. A bit of moss here, a fern shape there… I just kept seeing things I wanted to paint.

A close-up of vibrant green fern leaves, showcasing their intricate textures and patterns in a natural setting.

So what is this next chapter about?

I guess the simplest way to put it is this. I am slowly creating something that will encourage others to create and make too. Something that leans into slowing down, noticing, playing, and letting things unfold without rushing. And of course, something that still brings people together. Community was such a big part of the café, and I would love for this next chapter to keep that spirit alive in its own way. Maybe even nudge communities to slow down and make things together again.

I cannot tell you what it is just yet, because it is not fully shaped. But if you find yourself drawn to nature, slower living, small joys, and making things with your hands, then stay around. You will see.

Good things come to those who wait.
And no, not the hustle version of that phrase, the original one that actually lets you breathe.

A watercolor illustration depicting various mushrooms surrounded by green ferns and dandelion-like plants, showcasing a vibrant and natural scene.

And while you wait, do pop in to The Hangar Cafe and Bar for a drink. I know I will be for my one flat white (or three).

Rasa x

Rainbow bunting project

Since sharing about this exciting project we thought we would give you more information.

For those who have not heard, here is where you can read how our idea came about. Essentially our idea is simple. We want to bring joy to the community and shift focus from being anxious, scared, or bored to a more positive perspective. We hope you can join us and make some triangle flags to be joined together so we can put them in our windows. We hope this will bring smiles to people who passes our cafe while we are on quarantine. The more bunting the larger the smiles and we have plenty of space in our windows!

When we reopen again we are going to use the same bunting to decorate our ceiling. We are planning on a fun fair style celebration with stalls selling handmade goods, fun activities for kids, and much more. So while we wait, we need to prepare for this exciting event. Which is why we would love to see your handmade touch on our opening deco.

The address to either post or drop off your handmade flags is:

  • 5 The Crescent
  • MK42 0UJ
  • SHORSTSTOWN

The flags can be made up from any material, as long as it can be stitched together onto our binding. For more ideas keep on reading! The possibilities are limitless! Although there are two rules to keep it neat:

  1. The flags need to be rainbow coloured. We felt it is essential this project is as cheerful as it can be. Plus, rainbow means hope, and thats what we need right now!
  2. All flags need to be roughly the same size. Each side should be approximately 15cm/6inch long.

PAPER FLAGS

Paper is the easiest way to make flags! It also makes a good template for making fabric flags. Paper can be painted, printed, cut, glued, and even stitched! The options are limitless and doesn’t require much skill therefore kids can be involved too!

FABRIC FLAGS

Fabric flags require slightly more skill and work compared to paper ones. However this is a more traditional material to use for the bunting. The key is to find a good method to finish off the flag edges. Our method is as follows:

  1. Cut out two flags from your chosen fabric, leaving a 1cm seam allowance on two edges
  2. Pin those two flags together leaving “wrong side” out
  3. Stitch the two edges of the flag where you left the seam allowance
  4. Invert the finished flag and iron to press it down

Of course some fabrics do not require such edge finishing (felt for example) and if you use serrated scissors to cut the triangles out then you won’t need to do any stitching.

Finished flags can me embroidered (for embroidery stitch inspiration go here), appliquéd, dyed, and/or printed. Edges can be further decorated with various trims.

KNITTED FLAGS

Knitted flags are fun and very good for meditation ;-). But seriously, knitting is so much fun! If you don’t know how, I think this is good time to start and this project is quite simple to begin with!

There are many knit stitch patterns out there to create different textures, but we will go with the most basic one, called Garter stitch pattern. All you need to know is a knit stitch with this one!

  • Cast on 30 stitches
  • row 1: slip 1 stitch, knit 29 stitches
  • row 2: slip 1 stitch, knit 27 stitches, knit 2 together
  • row 3: slip 1 stitch, knit 26 stitches, knit 2 together
  • row 4: slip 1 stitch, knit 25 stitches, knit 2 together
  • row 5: slip 1 stitch, knit 24 stitches, knit 2 together
  • row 6: slip 1 stitch, knit 23 stitches, knit 2 together
  • row 7: slip 1 stitch, knit 22 stitches, knit 2 together
  • row 8: slip 1 stitch, knit 21 stitches, knit 2 together
  • row 9: slip 1 stitch, knit 20 stitches, knit 2 together
  • row 10: slip 1 stitch, knit 19 stitches, knit 2 together
  • row 11: slip 1 stitch, knit 18 stitches, knit 2 together
  • row 12: slip 1 stitch, knit 17 stitches, knit 2 together
  • row 13: slip 1 stitch, knit 16 stitches, knit 2 together
  • row 14: slip 1 stitch, knit 15 stitches, knit 2 together
  • row 15: slip 1 stitch, knit 14 stitches, knit 2 together
  • row 16: slip 1 stitch, knit 13 stitches, knit 2 together
  • row 17: slip 1 stitch, knit 12 stitches, knit 2 together
  • row 18: slip 1 stitch, knit 11 stitches, knit 2 together
  • row 19: slip 1 stitch, knit 10 stitches, knit 2 together
  • row 20: slip 1 stitch, knit 9 stitches, knit 2 together
  • row 21: slip 1 stitch, knit 8 stitches, knit 2 together
  • row 22: slip 1 stitch, knit 7 stitches, knit 2 together
  • row 23: slip 1 stitch, knit 6 stitches, knit 2 together
  • row 24: slip 1 stitch, knit 5 stitches, knit 2 together
  • row 25: slip 1 stitch, knit 4 stitches, knit 2 together
  • row 26: slip 1 stitch, knit 3 stitches, knit 2 together
  • row 27: slip 1 stitch, knit 2 stitches, knit 2 together
  • row 28: slip 1 stitch, knit 1 stitches, knit 2 together
  • row 29: slip 1 stitch, knit 2 together
  • row 30: knit 2 together

When knitting you can also play with different colours if you want to create all sorts of patterns. Finished knitted bunting can be embroidered or decorated in other ways (like here with a mini bell)

CROCHET FLAGS

Crocheted flags can be equally fun. It all depends what you prefer. Some people swear by only knitting, some are totally in love with crochet. I love both! I think crochet is good for lace work or other intricate patterns. For this pattern I will keep it simple. Only double crochet stitch is used here!

  • row 1: work 22 chain stitches
  • row 2: dc (double crochet) 22 (stitches)
  • row 3: dc 20, skipping 1st and 22nd stitch (row 2)
  • row 4: dc 18, skipping 1st and 20th stitch (row 3)
  • row 5: dc 16, skipping 1st and 18th stitch (row 4)
  • row 6: dc 14, skipping 1st and 16th stitch (row 5)
  • row 7: dc 12, skipping 1st and 14th stitch (row 6)
  • row 8: dc 10, skipping 1st and 12th stitch (row 7)
  • row 9: dc 8, skipping 1st and 10th stitch (row 8)
  • row 10: dc 6, skipping 1st and 8th stitch (row 9)
  • row 11: dc 4, skipping 1st and 6th stitch (row 10)
  • row 12: dc 2, skipping 1st and 4th stitch (row 11)

Again, I just wanted mention again, there are so many lacy crochet pattern patterns out there! This triangle stitch pattern is my fave! I even think that it might be unique to me as I never came across anybody doing it! My source was an old book of trims, I just adapted it into a pattern.

All flags you make will be joined into one big bunting using our black binding material. I thought it will blend in well with black ceilings :-).

We really really look forward to your creations (and I am really getting excited about this!). And of course I am very very thankful to everyone who may participate or even consider participating!

Rasa xoxo

How to create your own palette using paint

Colour palettes are useful little things when designing, especially interior design. Colour palettes are a selection of colours kept on a board or paper as a reference, ready mixed for specific project/artwork. It helps you to keep focus on the selection of the colours that create concept consistency through the design/painting process. There are many ways you can create a colour palette. You can use different material swatches or magazine cutouts to create 3D colour palette. Computer generated swatches are quite useful too and easy to create. However today we are talking how to make a colour palette by mixing your own paint. This technique is especially useful when you need to use some colours to create wall artwork or want a specific paint colour when painting the walls or furniture (of course these swatches can be successfully scanned at the paint shop for a larger quantity paint).

Recently I visited the Lithuanian seaside that I get constantly inspired by. I blogged about it  many times across different seasons. This time I visited when there was still a little snow left! I used the photos I took as my inspiration.

So how do I create a colour palette using paint? First step is of course to choose the paint. Any type of paint can be used for this purpose, but acrylic is probably the easiest to handle. I used a mix of acrylic paint and also some kids washable water based paint because I did not have a good selection of acrylics. It is important that you have the primary colours (yellow, green, blue and red), plus black and white. The rest of the colours can be mixed.

To create the colour palette you really need to have a good understanding of a colour wheel. When you understand how to achieve secondary and intermediate colours from primary colours you unlock so many other colours. Once those colours are unlocked they can be further developed by adding adding white or black to lighten or darken them. Just remember that black and white also dull the colours as well. 

But first, before you begin creating the palette, you need to find an inspiration. You can either use photos like I did or pick an object (like a rug or patterned fabric) that has a colour combination you like. Mixing colours take practice, but it’s so fun when you get the right shade! Once I achieve the right shade I simply transfer them onto a clean piece of paper and let it dry. I particularly enjoy naming those colours, claiming ownership over them.

Hope you found this inspiring!
Rasa xoxo

Watercolour challenge: starry sky

It’s that time of year when the nights are long, Christmas cheer is all around us and neighbours started lighting up their fairy lights. It could not be a better time to learn how to do galaxy paintings (A must must have skill for water colour painters!). These could turn into magical magical Christmas cards, and invites, and so many other things as well as wall art.
First I began by working on my brush strokes. To achieve a deep night sky impression I moved my brush in circular movements to form cloud like patterns. It’s important to use a generous amount of water as well as layering the paint to build darker shades. To begin with I only worked with two basic colours which were black and blue.

Once the sky painting is dry, I sprinkled some “stars”. I used a heavy type of brush and using my thumb movement on it I successfully applied the micro sized stars. I then used thin paint brush to paint in bigger stars. Although majority galaxy paintings I have seen around are white, I thought it would be very cool to try gold colour acrylic paint to create some gold stars. I am totally in love with the variation!

Once I mastered the galaxy painting with two colours I of course then tried including more colours. I even tried gold colour! Now, I don’t have gold watercolour paint, so I used watered down gold acrylic paint. This experiment actually worked!! The picture bellow cannot do its justice though, the painting sparkles in the real life!

Finally I experimented with painting into confined shape (circle). What changed are the brushstrokes. I tend to do longer brushstrokes to define the edges. The borders also meant that the painting had some sort of structure rather than ending up looking like continuous repeating pattern.

Tip: when watercoloring with high amounts of water the paper becomes uneven and wrinkly. The best way to make the paper flat again is to iron it. Cover the painting with baking paper and iron it with steam free setting. I find this is safe even with the high temperature setting.

When the time came to make the Christmas cards I decided to experiment with foiling (I am so in love with gold right now!). Sadly this did not work out. I am sure it’s all my fault! This foil I bought meant to be used with the foiling machine, but someone suggested this could be used with iron. At the end the foil melted instead sticking onto paper. I even used PVA after unsuccessful application using toner pen. Nothing worked! I decided to leave foiling for later, I am sure I will figure this out some other time. 

I ended up using gold paint to paint the letters which was acceptable, but not ideal (hope my neighbours like it).

White acrylic paint works fine too. If only I did not misspelled “Christmas” over here!

Hope you found this helpful! Are you making your cards yourself this year?
Rasa xoxo

Watercolour challenge: repeating patterns

This month I am doing something very exciting for my watercolour challenge. Yes, it’s patterns, my favourite art form! However it would be not very challenging if I did something I am good at already?! This is why I decided to perfect my skill of repeating patterns with some new methods.
When I used to create repeating patterns before it was mostly by drawing/painting/arranging different items/details in repeating order. But as you may all know this is not an accurate way to create repeating patterns. The objects I draw can differ in size as it is literally impossible to exactly replicate the same item/detail every time.
Alternatively I used to take a square of the drawing or paining and repeat it on the photoshop (or any other editing software), but this created very boring, common patterns. I always wondered how do you make repeating patterns that are seamless.
I was little inspired by this YouTube and other few videos on how to create drawn repeating patterns. This method is all about cutting a square shaped picture into four blocks and then swapping them around so the edges of the picture end up at the centre so you can draw on the seams to make it look like that those seams were never there (you really need to watch that video to really understand it). However, this method would not work with watercolour. As you can imagine, watercolour would probably leak at the cut edges.
This is when I came up with the idea to create repeating pattern using a grid. Although this is not a perfect way to create a repeating pattern, I realise the grid gives a good guideline. I started this by painting 7 different design blocks that flows into each other (tessellation) and creates a reasonably repeating pattern.

This could then be coped and pasted on any editing software.

Pattern seem to be more accurate when created on the computer, however it still has that hand painted look because of its origins.

I created another pattern in a similar way, except this time round I painted enough of those 7 blocks in a row that created one huge block which was repeating itself naturally. This way all I needed to do is copy and paste this block few times.

Next I wanted to break away from the grid without actually leaving it. I painted leaves in repeating order. The grid allowed me to keep the leaves in similar shape and line. So when I repeated it on a computer this pattern repeated itself flawlessly. 

I tried the same technique on another design and this time round I realised the problem of the grid itself. The grid would not erase after it has been painted over. And with the light colour you can see the grid very clearly. I had to use the clone tool to hide those annoying lines that was never meant to be part of the pattern.

After repeating the pattern the same way as the others I realised it does not match very easily with plain painted areas (it’s very difficult to get the same shade of colour every time). This also had to be corrected with the clone tool.

Finally instead of a grid I used a dot system. It guides you like a grid, but its not as visible in case you can’t erase it.

As you can see, this creates almost perfect repeating patterns ;-).

Hope you are inspired
Rasa xoxo

Watercolour challenge: brush lettering

Last month I was reviewing my yearly goals and I realised that I was nowhere close to learning calligraphy. This is when I decided that I needed to focus on hand lettering, hence watercolour brush lettering! I also used bible verses for this project so that way I could meditate on the word as well as learning new skill.
I started with the basic handwriting style that I once learned from my friend Vicki. It was the type of handwriting style that you learn in old school where you draw all of your letters connected and within the lines (remember?). Except this hand lettering style does not require lines. It flows out freestyle!
I soon got bored with that writing style and was ready to add more character to my hand lettering.
This is when I came across brush lettering. Brush lettering is a style of writing similar to calligraphy, but done with brush pens. When doing brush lettering the key thing to remember is the pen pressure and the stroke thickness:

  • Heavy pressure is applied in a downward motion to create thick stroke
  • Light pressure is applied in an upward motion to create thin stroke

Although I was painting letters with an actual brush, it was not easy to control the strokes. At some places I needed to thicken the lines manually instead of applying pressure as I paint.

Initially I tried a round brush but then switched to a flat shaped brush that made neat thick lines. However I found it difficult to paint thin lines with it. The only way to paint thin lines with this brush was to paint sideways. I quickly ditched that and went back to a round shaped brush.

With the round brush back in hand I soon got got the hang of brush lettering. You know what they say, practice makes perfect ;-). I experimented with different types of font such as printed, joined or separated hand lettering. I even tried to format my hand writing. I drew lines with the pencil to mark the guidelines.

Once I learned to format the lettering I had a go with the bounce hand writing font. This was so so much fun. Bounce hand lettering is all about drawing letters outside their guidelines: one letter down, the second letter up and third letter down again (I hope you get the point). Essentially the letters bounce 😉

I loved loved loved learning watercolour calligraphy, hope you will too 😉
Rasa xoxo

Watercolour challenge: underwater

Last month while exploring Carhaix-Plougue in France I was surprised to see so many creative wall murals around. These were mostly underwater creatures and seaweed that were appearing not only on the walls. There were few similar artworks displayed on the windows too.

So inspired by all this art I decided to paint similar art for my watercolour challenge. It has been refreshing to paint something in one colour and discover different tones in it. I chose bluish grey which was perfect for sea world paintings.

Later I realised that the wall murals in France were actually just the paintings on white paper and then stuck onto the wall. I wonder if they were having an open-air art gallery out there in Carhaix-Plougue…. hmm

We found this jelly fish at the beach which is soo pretty and obviously made its way to my pages on my notebook. I think sometimes the best inspiration comes from nature itself ;-).

Thanks for letting me share!
Rasa xoxo

Watercolour challenge: planes and letters

Sooo, we are still on the mission to fill the walls in the kids room with pictures and Lukas is involved in this project as always (even if I don’t ask him to).

This months watercolour challenge theme is planes! Obviously because Lukas loves planes! This boy builds the planes out of lego, pretends to be flying like a plane and flies every possible object like a plane. You got the picture! I felt I had to make the boys room plane themed.

I have been imagining to paint those pretty biplanes and then an alphabet to go along with it. However (as always) things did not go to my plan. Although at least I have one artwork on the wall now!!

I started this month’s watercolour challenge with painting biplanes. It needed lots of attention to detail and lots of pencil work with rulers. The watercolour part only took few minutes. I did not like the end result too much. I can’t even explain why, definitely did not look what I had in my vision.

Next I started on the alphabet and I guess because painting biplanes did not work that much I looked at other planes to inspire me too. It was real fun to look through Joni’s plane books to find some planes that actually start with the letter I wanted to use it for. For instance I used the Avro Arrow aircraft to represent letter “A”.

I made plenty of mistakes, the letter “Z” is the wrong way round and plenty of mess that I could not quite rub off with the eraser. However I do love this artwork and it is hanging in the boys bedroom till one day I will decide to redo it.

Since I had so much fun painting different aircrafts from Joni’s book, I tried drawing one with propellers. Was not too pleased with this painting so decided to end painting here.

For now I am just so pleased with the plane inspired alphabet.

What’s your favourite painting?

Rasa xoxo

Macrame inspired crochet wall art + free crochet pattern

Do you remember when I made watercolour and embroidery wall art? I did say I was not 100% sure if it went with our bedroom interior and I think I was right (although there is no right and wrong when it comes to deco they say). This artwork never grew on me and it was time to replace it to something else completely different.
Now I am currently loving macrame craft although I am clueless how it’s done. When you are too busy with other projects I think sometimes it’s best to use the skills you already have. In my case this means crochet. Don’t you think crochet looks visually similar to macrame? I think when it is done the right way it can look pretty close!
Few months ago I made the climbing plant trellis inspired by macrame. I loved the outcome (and some yarn left) so I decided to repeat the technique somewhere else (although it happened to be in the same room). What do you think?

If you are loving this as much as I do then keep on scrolling as I share the pattern with you.

For this project you will need yarn (about 12-14 ply, chunky), crochet hook (7mm) and 30cm (12 inch) embroidery hoop.

Important note: familiarise yourself with the chart symbols and abbreviations as the ones used here are continental.

round 1: Start with 10 chain stitches (ch). Slip stitch at the 1st ch to join and form a chain loop.

round 2: Single crochet (sc) 20 stitches around by inserting a hook into chain loop every time you crochet a new stitch. Slip stitch at the 1st sc stitch to join.

round 3: Work 2 ch stitches and 2-dc cluster on 1st sc stitch (second row).

Work 3ch stitches and 3-dc cluster on 3rd sc stitch (second round). Repeat this 8 more times on every second dc stitch (second roound). Slip stitch on 2-dc cluster to join

round 4: Single crochet (sc) 40 stitches around. Slip stitch at the 1st sc stitch to join.

round 5: Work 2 ch stitches and 2-dc cluster on 1st sc stitch (fourth round). Work 6 ch stitches and slip stitch on 5th stitch (fourth round).

Work 6ch stitches and 3-dc cluster on 9th sc stitch (fourth round). Work another 6 ch stitches and slip stitch on 13th stitch (fourth round). Repeat this 3 more times alternating 3-dc cluster stitch and slip stitch every fourth stitch (fourth round). Work 6 ch stitches and slip stitch on 2-dc cluster to join.

round 6: Sc 6 stitches by inserting a hook into chain loop every time you crochet a new stitch. Slip stitch on 7th stitch (fifth row). Sc again 6 stitches and slip stitch on 14th stitch (fifth round). Work 5 ch stitches and slip stitch again on 14th stitch (fifth round). Repeat this 4 more times. End the round with 2 ch stitches and a dc to join.

round 7: Work 5 ch stitches and dc on 1st chain/dc loop (sixth round). Work another 3 ch stitches and dc on 1st chain/dc loop (sixth round), repeat this step 1 more time onto the same loop. Work 5 ch stitches and slip stitch on 7th stitch (sixth round).

Work 5 ch stitches. Dc on 2nd chain loop (sixth round) and work 3 ch, repeat this step 4 more times onto the same loop. Work 5 ch stitches and slip stitch on 27th stitch (sixth round). Repeat this 3 more times creating “flower” on each ch loop.

Work 5 ch stitches and dc on 1st chain/dc loop (sixth round). Work 3 ch stitches and dc on 1st chain/dc loop (sixth round). Work another 3 ch stitches and slip stitch onto chain loop to join.

To attach the doily onto the embroidery hoop sc around by inserting a hook into the hoop every time you crochet a new stitch as well as hooking up 5 doily “star” corners into it. Slip stitch at the 1st sc stitch to join.

The yarn end can be used for hooking the artwork onto the wall

Create a fringe by pulling equal length yarn strings through the rim of the crochet along the bottom of the embroidery hoop. The finished fringe can be trimmed and tidied up using the scissors.

Thanks for letting me share my macrame love 😉

Rasa xoxo